Dirty Sweet and Everybody Knows This Is Nowhere are now available as audiobooks from Audible.com.
Swap and Tumblin' Dice should be available sometime this month and they'll all be available soon from iTunes.
All four are narrated by William Dufris and I think he does a fantastic job.
And there was a review of Tumblin' Dice in the National Post today by Sarah Weinman which said very nice things. My favourite part is: "Each of John McFetridge’s three previous novels have a rhythm to them, mixing taut dialogue, spare description and a dark sensibility with the cool calm of a master bass player."
It's funny she mentions the bass. I bought my first bass, a Hagstrom, in about 1978 but when I joined the band Smiley's People in 1985 I switched to guitar (strictly rhythm, as they say) and the bass was played by Michel Basilières, whose fantastic novel Black Bird won the Amazon/Books in Canada Best First Novel Award.
The real guitar player in Smiley's People was Clifford Schwartz and here's a clip of him playing with Cirque du Soliel:
About twenty-five years ago I enrolled at Concordia University for English Lit and History. (a few years before that I'd tried a year of economics and, well, it didn't work out.)
I knew I wanted to write but I was unsure about creative writing classes. Can you learn to write, or do you just have to do it and hope you have "talent?" Concordia had a creative writing program and it seemed good, so I took some classes.
At the time, and for years after, I really didn't think the classes had much effect on me. Garry Geddes, a poet and now non-fiction writer, taught the short story class I took. He had us read our stories out loud. Only years later did I realize what a valuable tool this was for understanding how important voice is in fiction.
In the intervening years I've realized that I learned an awful lot in those creative writng classes. I don't know if the other people in those classes needed to learn as much as I did, but a few of them are very good writers today.
Michel Basilieres was the guy who told me about the Concordia program. His novel Black Bird, published by Knopf won the Amazon.ca/Books in Canada First Novel Award in 2004 and was nominated for the Steven Leacock Award and the Commonwealth Writers Prize for Best First Book.
Tess Fragoulis was in that class with Garry and was probably the most fully-formed writer at the time. Her story collection, Stories to Hide From Your Mother, was published in 1997 and her first novel Ariadne's Dream (sex, drugs, Greek mythology) was published in 2001.
There was also a guy in that class named David McGimpsey who understood poetry more than anyone else in the program. I mean he understood poetry the way I understood hockey. And he frustrated the poetry profs by using that understanding to write epic poems about Gilligan's Island and baseball. David has published a few books, still in the "literary-pop culture" world. Sitcom is very good but my favourite is still Hamburger Valley California.
And now comes word that another person from that same class, Lisa Pasold, has her first novel coming out in three weeks. Lisa has published a couple of very good poetry collections, Weave and A Bad Year for Journalits and I've been looking forward to this novel ever since she let me read the manuscript earlier this year.
Rats of Las Vegas is about... you know what, she has a petty good book trailer explaining it:
