Sunday, September 21, 2008

Sunday, October 5th, 1:00 - 2:30






Declan Burke and I will be making the first stop in "John and Dec's Excellent Adventure Road Trip to Baltimore" at the Sleuth of Baker Street Bookstore in Toronto on Sunday, October 5th from 1:00 to 2:30.



Declan's novel, The Big O, is being released today in the USA and Canada and there will be copies available at the Sleuth.



The Big O is getting some well deserved rave reviews, many comparing it to the greats but I have to say I found it a fresh new voice (or voices, really, as everyone in the large cast gets to tell their own story), a total original.

The Sleuth of Baker Street Bookstore is at 1600 Bayview (south of Eglinton).

Thursday, August 28, 2008

Forgotten Books Friday

St. Famous by Jonathan Dee, though I could have picked any Jonathan Dee, I think. I have no idea why this incredibly talented, insightful writer isn't a bestseller every time out, but there you go.



Here's what Publishers Weekly had to say (even though they didn't get it exactly right) hwne the book was published in 1995:

"Dee explores America's obsession with the cults of victimhood and fame in the aftermath of a race riot in New York City. Paul Soloway is a struggling writer who's been working on his first novel for 10 years when the acquittal of a white man who has shot a black child touches off a riot in Harlem. Paul ends up being abducted and held hostage by Victor Hartley, a normally respectable young black man brought to the boiling point by a long and random chain of circumstance. The novel opens as Paul, who has suffered severe physical injuries during his time as a hostage, is released from the hospital and into the ensuing media feeding frenzy. Eventually, he is persuaded to write a book about his experience in the riot, which is presented to the reader largely through excerpts from the work in progress. Meanwhile, his abductor becomes a hero in the black community and, with the help of a high-profile lawyer, starts his own media campaign. The gulf that separates Paul and Victor is only increased by their different attempts to make sense of their private experience in the public realm, leading to a climax that sacrifices credibility to make a polemical point. Dee is certainly a skilled writer, one who pays careful attention to both the internal and external details that give his characters' actions substance and weight. But while his portrayal of America's racial divide is acute and his characters well drawn, ultimately both Paul and Victor emerge as selfish and naive, and much of what they learn about the power of the media and the distortions of public image over the course of the novel seems distressingly obvious."

Okay, I guess maybe (maybe) the characters might be a little naive and maybe even a little selfish but I thought that made them real people. I didn't find the point polemic or sacrificing credibility (in fact, it was frustratingly real and refused to give in to the temptation of a happy ending) or what the characters learned to be "distressingly obvious." The ideas in this book will have only become more poignant as the "power of the media and the distortions of public image," have become even more pronounced.

I'd also put Dee's Palladio on your TBR lists. It has more to say about the advertising industry than ten years of Mad Men episodes.

Swap or Go Round?

The new book is finished and off to ECW for editing. Now comes the hard part - the title.

I'm looking for something that means, "all relationships are symbiotic." This because the book is about different groups of organized criminals fighting for territory, old groups giving way to new. It's about younger cops starting to move up in the force. And, oh yeah, there's a couple murdered in their car on the way home from a "lifestyle" event - what used to be called wife-swapping.

So, Swap or Go Round?

They're both from songs, of course, as all my titles are.

Swap is from a song I made up for a band in the book called Smiley's People - which was a band I played guitar for in the mid-80's along with Alan Taylor, who wrote the music for the Everybody Knows This Is Nowhere trailer and Michel Basilieres who wrote the award-winning novel, Black Bird.

Go Round is from the Billy Preston song, "Will It Go Round In Circles?" which has the lines, "I've got a story, ain't got no moral/The bad guy wins every once in a while." Which, I guess if you've read my books you wonder, "once in a while?" There's also a little, 'what goes around comes around' in the book.

So, which title?

Tuesday, July 29, 2008

The Sun Review

This past weekend, many newspapers in the Sun chain (Vancouver, Calgary, Edmonton, Winnipeg, Toronto and Ottawa) ran Joan Barfoot's review of Everybody Knows This Is Nowhere, which said some nice things about the book, calling it, "an absorbingly complex tale that combines the concerns of troubled cops with accounts from an underworld of bikers, the Mafia, sex-trade workers and ethnic-based gangs."

And finishing with,

"As Everybody Knows This is Nowhere beautifully shows, change depends, timelessly, on the inclinations, depravities, ambitions and hopes of individual humans out to do their best, or their worst, in the world."

Some of the papers also ran this really cool illutration by Tim Peckham.

Monday, July 14, 2008

My National Post Diary

The National Post newspaper runs a daily feature in its Arts and Life section in which someone keeps a diary for a week.

This week it's me.

I kept the diary back in June. It was fun.

It's here.

Wednesday, July 09, 2008

Three Authors

Peter over at Detectives Beyond Borders tagged me with the question, What three authors would you miss the most if they stopped writing?

Like most people, I'd have a tough time narrowing the choice down to three and lately it's been getting even harder. I was thinking about a blog post just yesterday, wondering if we're in a new golden age of crime fiction.

In 2006 I attended my first Bouchercon (and I'll be going again this year) and I met a whole bunch of writers; Mike Harrison, Robert Dugoni, Sandra Ruttan (in person!), Duane Swierczynski; I was on a panel with JD Rhoades, Brett Battles, Bill Cameron and Michael A. Black; I said hello to Lee Child, Gary Philips and Don (I have a problem with impulse control) Winslow and lots of others. When I got home I started reading books by people I'd met, and to be honest, I didn't expect to like many of them.

I liked them all.

Am I getting soft in my advancing years?

Since then I joined CrimeSpace and met Barbara Fister, Jon Loomis, Donna Moore, Linda L. Richards, Patti Abbott, Angie, and lots and lots of other writers and I've been working my way through their books. And they're all good.

What happened to the snarky, cynical hard to please jerk I was?

Last year I "met" online Declan Burke, Ray Banks and Al Guthrie, so I read their books and you know where this is going...

Pretty much all of these writers are younger than I am, so I'm looking forward to years and years of happy reading. As Barbara Fister says, "I'll read till I die and I still won't be finished!!"

So, it's a great time to be involved in crime fiction.

But to try and answer the question, I'm going to go with:

Elmore Leonard. Over the last forty years he has quietly laid down the history of a particular slice of America better than anyone else. What John Cheever did for suburban culture, Elmore Leonard does for the working-class. His books are some of the few American books to be truly multi-racial and completely honest. The last few books filled in the gap between his westerns and modern-day novels. Check out Glitz and Swag as two of the very best crime novels ever written.

Alice Munro. Not a crime fiction writer, not even a novelist, but the greatest short story writer ever. She has also chronicled an entire generation, one story at a time, digging deeper into human relations in a single short story than most novelists do in an entire career. Lives of Girls and Women and Who Do You Think You Are would have been a career right there, but she just keeps going.

Roddy Doyle. The Barrytown trilogy was a lot of fun, but The Woman Who Walked Into Doors, Paula Spencer and The Deportees are fantastic. What writing should be.

So, keep writing everybody. It really feels to me like we're just at the beginning of something special here.

Wednesday, June 25, 2008

Hard Luck Stories



Isn't that just so cool? It's the illustration by Jean-Pierre Jacquet for my story, Barbotte, in the current (and sadly last) issue of Hard Luck stories.

A huge, huge thank-you to Dave Zeltserman and Ed Gordon for doing this. It's a ton of work for them and I really appreciate it.

My story, set in Montreal in 1946, is a tribute to my Dad, who passed away in 1985 and would have been very proud. The main character, Nat Lawson, like my Dad, is a telephone installer who knows everyone in town. As far as I know, my Dad was never involved with gangsters, crooked cops or jazz musicians, but they were there and he was there...

Friday, June 13, 2008

Shifting Gears

“With gas prices rising they had to change their plans.”

This was the challenge for a flash fiction. I made the slight change from 'gas' to 'diesel.'

Many thanks to Patti Abbott for asking me to do this. She has a list of the other stories on her blog.



Long Haul

John McFetridge


When they finally got through Toronto, the 401 bumper to bumper for two hours, Ellen relaxed in the cab and said to Rick, “How long till we get to London,” and he said, “Why, you want to pull over for a quickie?”

She said, “You remember when we didn’t even pull over?”

Rick’d been driving long haul for almost thirty years, married to Ellen the whole time. Back in the beginning they rode together, popped in the Allman Brothers on the eight track and saw America. And Canada and a little of Mexico. Then they had the kids and she stayed home and raised them and Rick kept driving, both of them liking the idea of being independent, working for themselves, owning their own rig, being their own boss.

Now the kids were grown, Rebecca in the air force, Allan a state trooper, RJ in college going to be a teacher, and Ellen and Rick were back on the road having the retirement they’d be dreaming of all these years.

Except now it didn’t look like it was going to work out. With diesel prices rising, their plans had to change.

Rick said, “You nervous?”

“I should be, shouldn’t I? What we’re doing.”

“What else can we do? Got no choice.”

Ellen said, “Yeah.” Things had been getting tight for a while. They’d talked about selling the house but with the bottom falling out of that market they couldn’t get much for it. Rick’d been driving without health insurance for a couple of years now, sleeping in the cab for days at a time even if it cost too much to run the heater, waiting for a load that would at least cover the cost of hauling it.

Walking into the almost empty drivers’ lounge of the Fifth wheel in Dorchester, Ellen said, “Wow,” and Rick said, “Yeah, like a neutron bomb.”

After Ellen said hi to Tommy and got introduced to the other drivers at the table she and Rick sat down and the guys – not all ‘guys,’ Alison and Rachel, too – were back in the middle of their talk. Their bitching. Grant saying, “It’s a matter of pride,” and Wayne saying, “Bullshit, it’s a matter of survival.”

“You know repossessions are up a hundred percent.”

Rachel said they got Ed Kirk’s last week, didn’t even have to chase him, it was sitting in his driveway. “Used to take the bastards weeks, months to get a hold of a rig.”

“When it was hauling.”

Grant said, “What can we do? No one’s building houses, there’s nothing to haul.”

“There’s plenty to haul,” Wayne said, “but with diesel over four bucks a gallon, there’s just no profit. The big fuckers, the nationals, buying it in bulk, paying way less, they can afford it. Drive the independents out of business.”

“You want to go on strike?”

“Right,” Wayne said, “that’ll work. Anyway, we’re an association of independent truckers, not a union, it’s against the law for us to strike.”

Grant said, shit, “We need Jimmy Hoffa back.”

Ellen looked at Rick, saw him laughing with his buddies, guys he’s known thirty years, but not looking as worried. Or not showing it.

“We need something,” Rachel said. “These gas prices, it’s costing me a buck a mile to haul, shippers still paying eighty-seven cents.”

“What’s that song,” Wayne said, “another day older and deeper in debt.”

Grant said, “Tennessee Ernie Ford, my Dad used to love that.”

Ellen looked at her watch and said to Rick, “We better get going.”

Wayne said, “It’s not the romantic times seeing the country you were hoping for, is it?”

“Worked your ass off for,” Grant said.

Ellen said, “We gotta do what we gotta do.”

They took the 402 up to Sarnia and got in line with the rest of the trucks crossing the Blue Water Bridge to Port Huron, Michigan.

Rick said, “Are you sure about this,” and Ellen said, “Yeah.”

Rick said, “We’ll be over in half an hour. You know, there was a time there could be five, six thousand trucks a day cross this bridge. You could spend hours in line, a couple hundred bucks in fuel. A wait like that now, there goes your profit on that job.”

Rick pulled up to the customs window and talked to the guy like he had ten thousand times before. Got waived through, drove under the radiation-sniffing portal, said to Ellen, “Spent fifty million bucks, looking for terrorists, nuclear weapons, dirty bombs.”

Just before Flint, Rick pulled off 69 onto 24 south towards Metamora, pulled over in a rest stop and Ellen made a cell call, saying, “We’re here.”

Ten minutes later a motorcycle pulled up, a guy driving and a woman sitting behind him.

Ellen had already pulled the two backpacks, a Transformers and a Bratz, out from inside the mattress in the sleeper – all those precautions seeming silly now, but you never know – and climbed out of the cab. Rick got out, too, walked up to the bike and said, “Nice Softail.”

The guy looked at Rick’s rig and said, “Nice Peterbilt, 389?”

“386.”

“Sweet.”

Ellen said, “They could talk like this all day,” and the woman, about Ellen’s age, took the backpacks and put them in the Harley’s saddlebags saying, “Boys and their toys.”

The guy told Rick he could get him a deal on a bike and Rick said they’d talk about that next time. The woman handed Ellen a FedEx envelope.

Driving away, Rick said to Ellen, “You met her online?”

“Website for Moms with kids in the military. Her son joined up two months ago, he’s going to Iraq next week.” Ellen pulled the twenty grand in cash out of the envelope, four bundles, 250 twenties in each. The backpacks were full of ecstasy tabs, 2000 in each. The biker and his buddies would sell them in Detroit and Ann Arbour and Lansing for twenty bucks a pop.

Rick said, “That’s not a lot of time for training,” and Ellen said, “No, not much.”

Then she said, “How long till Saginaw?”

“We’re doing fine,” Rick said. “Why, you want to pull over?”


THE END

Thursday, June 12, 2008

My New Website

My good buddy Michel Basilieres has updated my website, added the short fiction and even a few audio stories I recorded (flash fiction - 3-5 minutes each).

He can do the same for you, for a small fee. I think it really helped having a fellow writer design the webpage.

It's here: http://johnmcfetridge.ca/

Thursday, May 22, 2008

Forgotten Book Friday


Forgotten Books Friday is a great idea and I want to start by thanking Patti Abbott for asking me to be a part of it. As soon as she did, I thought of one of my favourite novels that’s not exactly forgotten but certainly not as well known as it should be. Newton Thornburg’s Cutter and Bone from 1976.

I have a friend who’s an excellent cartoonist – so good, in fact, that his biggest fans are other cartoonists. That’s kind of Cutter and Bone – Time Magazine said at the time it was published that it pointed, “to the future of crime fiction.” If it has, it’s because it’s influenced a lot of crime fiction writers – like George Pelecanos who wrote the introduction for the book’s later reissue. Not exactly forgotten, Cutter and Bone certainly isn’t as recognized as it should be.

The story of Cutter, a one-armed, one-legged, one-eyed Vietnam vet and, Bone, his good-looking gigolo buddy starts in California and ends in Missouri, is simple; late one night Bone sees a man cram something into a garbage can. When that something turns out to be a dead teen-aged girl, Cutter realizes the man Bone saw ‘could be’ J.J. Wolfe a “cornpone millionaire” from Missouri and justice must be done. But not through messy legal avenues, no, that never works on millionaires. Cutter wants to blackmail the man.

The biggest influence on the crime genre was taking the mystery out of it and concentrating almost entirely on character and theme. Certainly throughout Cutter and Bone, the issue of Wolfe’s guilt is in dispute, it also quickly becomes beside the point. Solving the ‘mystery’ isn’t what the book is about at all. Thornburg has admitted that his pessimistic view of the world caused him to reject the crime genre, with its detectives and its neat resolutions.

Instead he wrote a book George Pelecanos says is about, "America's festering wound in the wake of Vietnam," with no neat resolution.

It’s a festering wound seen through the eyes of a very wounded Cutter and a very disaffected Bone. Wolfe represents the corporate culture that destroyed Cutter's body in a brutal war: "it's never their ass they lay on the line, man, never theirs, but ours, mine."

In many ways it’s exactly the same way many people feel today in the face of another foreign war. In Cutter and Bone, Wolfe’s men in Missouri are described as, “lean and sunburnt and improbably pleased with themselves.” They’re never going to be the victims of the war, never going to lay their own asses on the line.

As relevant today as it was in 1976.

The movie, Cutter’s Way, based on the book is okay. Thornburg hated it, and certainly he’s right the ending is much better in the book.

Here’s a good article about Newton Thornburg

And the review from Time Magazine in 1976 (isn’t the internet great?).

Monday, May 12, 2008

a noir love song to Toronto

A couple more reviews are in for Everybody Knows This Is Nowhere.
Kirkus Reviews, in its May 5th edition ran a starred review:

It’s refreshingly hard to tell the good from the no-good in this helping of cops and robbers, Canadian style.

Sharon MacDonald, smart, attractive, a loving mother, wears one of those metallic adornments around her ankle. She’s under house arrest for hospitalizing some wise guy who got out of line. As the operator of an established Toronto “grow room,” Sharon plants and harvests marijuana for profit. Enter Ray, good-looking, immensely appealing to Sharon, with an unnerving proposition likely to make drug kingpin Richard Tremblay unhappy. An unhappy Tremblay means a trembling Sharon, a state familiar to her ever since she knew the ice-eyed kingpin when he was only a scary student prince. On the other hand, Ray’s scheme has almost irresistible payoff potential if Sharon can trust her new partner long enough to double-cross him safely. Newly paired Toronto police detectives Bergeron and Armstrong have trust issues of their own. Neither is sure the other is the solid cop to be hoped for in a partner. Throughout the exposition, persistent, worrisome rumblings indicate that it’s shake-up time in Toronto, and everybody knows that on both sides of the law enforcement divide big players are going down.

Bristling action, a vivid sense of place and nary a plot twist telegraphed. Exceptional work from McFetridge (Dirty Sweet, 2006).


Publisher’s Weekly was less enthusiastic, but still, I’m thrilled to get a review in PW:

Canadian author McFetridge’s complex crime caper, whose title comes from Toronto-born Neil Young’s first album with Crazy Horse, follows Toronto police detectives Bergeron and Armstrong as they pursue a variety of cases, starting with the body that falls off a high building and strikes the car windshield of a john just about to enjoy a hooker’s services. Meanwhile, Sharon MacDonald is under electronic house arrest, working angles on expanding her dope business, when she meets a guy named Ray with plans to smuggle literal shiploads of marijuana. A clear disciple of Elmore Leonard, McFetridge (Dirty Sweet) has almost every character talk and think like Chili Palmer (“That was one thing J.T. learned in Afghanistan - the enemy’s only half your problem, if that”), not a bad thing for a fun read. On the down side, too many subplots start and abruptly end as this noir love song to Toronto plays out. (July)

The July listing is for the US edition. Everbody Knows This Is Nowhere and the paperback edition of Dirty Sweet are in Canadian stores now.

Friday, May 09, 2008

GoodReads




So, I joined a site called GoodReads. Don't know much about it yet, but it's all about books, so that's good.

Saturday, February 09, 2008

Growhouse - the short story

Finally there's an anthology in the Akashic series of city noirs set in Toronto. I tried to contact the editors and publisher quite a few times but I never got any response on how to submit a story for consideration. There's been some chatter ;)

Anyway, the story I would have submitted, Growhouse, was accepted by Bryon Quertermous at Demolition Magazine and it's in the current issue, so thanks Bryon.

Friday, February 08, 2008

Blurbs

Advance copies of Everybody Knows This Is Nowhere have gone out and we're starting to get blurbs. This is very exciting, something that's never happened to me before. Here are some:

“Everybody Knows This Is Nowhere is just one hell of a read, takes off like a bullet and never let’s up, like a wondrous mix of Elmore Leonard and McBain but with a dazzling Canadian slant that is as fresh as it is darkly hilarious. Detective Bergeron and under-house-arrest Sharon MacDonald are just terrific creations; they leap off the page and the only flaw is the book is over before you can quite catch your breath—it’s that enthralling.”—Ken Bruen, author of Edgar-nominated Priest.

Who’d have thought there was such a seedy side to Toronto, and McFetridge is the perfect guide. Everyone Knows this is awesome! - Victor Gischler, author of Shotgun Opera (yeah, now, but pretty soon we'll be saying author of Go-Go Girls of the Apocolypse)

“Crackling dialogue, explosive action, cops, crooks, and the deadly setups, scams, and mind games these underworld types play. Sounds like a good Elmore Leonard novel. Reads like one, too. Enjoy.”—Parnell Hall, author of Hitman.

Thursday, December 13, 2007

Crime Always Pays

Today I'm the interviewee at Declan Burke's fantastic blog, Crime Always Pays.

Tuesday, November 27, 2007

Everybody Knows...

The trailer for Everybody Knows This Is Nowhere

Saturday, November 03, 2007

Roddy Doyle’s The Deportees

A few weeks ago I reviewed this book for The Toronto Star, but they haven't published it, so I thought I'd put it here. It's a terrific book.


 

THE DEPORTEES

by Roddy Doyle

Knopf Canada

ISBN: 978-0-676-97911-4


 

In the foreword to The Deportees, a book of short stories dealing with the recent explosion of immigration to Ireland, Roddy Doyle writes, "I went to bed in one country and woke up in another." It's probably the way a lot of people in Ireland have felt over the last ten years, and, probably the way a lot of people in southern Ontario have felt over the last twenty.

    Certainly there's been a lot of Canadian literature dealing with the immigration experience in Canada, but almost all of it has been from the point of view of the newcomer. What Roddy Doyle has done is completely different – he's written mostly about the immigrant experience from the point of view of born-and-raised Irish, in all the usual utterly frank and direct Doyle way.

    So, in "Guess Who's Coming for the Dinner?" Larry Linnane is the modern Irish man – married father of four, employed and happy in his mid-life. And not a racists, no, not at all. Until he actually has to face the idea of one his daughters bringing home a black boyfriend. Doyle never stoops to presenting Larry (or anyone else in the book) as a stereotype, or racist buffoon, but he does have them ask themselves the tough questions. It's easy to be an open minded, progressive, non-racist when everyone you know looks just like you. But Larry really has no reference points for this new Ireland, so he considers the possibility, am I racist? And the question makes him squirm, even as he tries to reassure himself. "When he watched a footballer, for example, he didn't see skin; he saw skill. Paul McGrath, black and brilliant. Gary Breen, white and shite."

    But he keeps asking and keeps squirming. He goes through all his emotions, all the confusion, anger and fear. Of course, he's not afraid of Africans or Russians, he's afraid of change. He went to bed in one country and he woke up in another and it's going to take a while to figure it out, to adapt, to adjust.

    All the Irish-born characters in The Deportees are trying to figure it out. Along the way, they're getting a lot of it wrong, they're making a lot of mistakes (often hilarious, but also sad and moving), but they keep trying – what choice do they have? It's going to happen and no one's asking their opinion. Well, they have the Canadian choice of just not talking about it; putting on a smiling face and pretending they aren't confused or angry or scared at the way their home has become a completely different place when they woke up than it was when they went to bed. Live in complete denial.

    Not all the stories (written in 800 word sections for a Dublin magazine, Metro Eireann, started by a couple of Nigerian journalists to be by and for the immigrant community in Ireland) are from Irish-born points of view; one's about a nanny from Poland, one about a boy from Nigeria and even one from an immigrant point of view Doyle doesn't reveal. All of them, though, are having a tough time putting up with the Irish-born. One story even offers a reverse on the usual Irish Diaspora; it's about Declan, a black Irish guy looking for his roots in the country of his ancestors – America.

    In Canada we've been trying to define our culture forever, wondering if we even have one, and all this time we just assumed everyone else had a culture they could easily define, but in "57% Irish" Doyle subverts this idea hilariously. The Minister of Arts and Ethnicity hires a grad student to put together a test that can measure people's 'Irishness.' But a quiz won't do, the answers can be learned, instead a way is found to measure people's reactions to things like Robbie Keane's goal against Germany in the 2002 World Cup, Brendan Behan and Irish porn star Shamrock Chambers.

In the story "Black Hoodie" a teenage boy goes through all the angst of his first time asking out a girl (his father's advice, "just ask her") – except there's an added bonus, she's black, making it even tougher, "even here in multicultural, we-love-the-fuckin'-foreigners Dublin." Hard to imagine that sentiment in a Canadian novel. Harder still to imagine no Canadian has ever felt it.

Pretty much my whole life I've heard the same refrain; Canadians are racists but they don't think they are, Canadians don't make immigrants feel welcome, Canadians are doing it all wrong, and I've wondered, okay, so where's the model? Who can we look to and learn from? Who's doing it right? Roddy Doyle's doing it right; with insight and understanding and humour and the direct approach.

Sunday, October 28, 2007

Thanks Sarah Weinman

The November issue of Quill and Quire features the terrific Louise Penny on the cover and inside has an article by Sarah Weinman, she of The Idiosyncratic Mind, listing ten rising Canadian mystery writers and I'm on the list. Here's what she said:

Why you should read him: McFetridge describes a Toronto of opportunists, seedy deals, and double-crosses not unlike Elmore Leonard's Detroit of James Ellroy's Los Angeles, but his books are distinctly rooted in his home city's rhythms and flavours. Start with:
Dirty Sweet (ECW Press, 2006), McFetridge's first novel, in which a murder becomes an opportunity for real estate agent Roxanne Carter to embroil herself in the doings of the Russian mafia -- and possibly come out ahead. Fun fact: McFetridge recently sold Dirty Sweet and the follow-up, Everybody Knows This Is Nowhere, to the U.S. publisher Harcourt -- which will publish the books next year with eye-popping retro 1970s covers.


 


 

Saturday, October 13, 2007

When is a Good review Bad?

Well, never, really. But because of odd timing, my second novel, Everybody Knows This Is Nowhere received two good reviews way too early.

The book was scheduled to come out from ECW Press in Canada in May, 2007. ARC's were printed up and sent out. Then the US rights to the book were bought by Harcourt and it was too late for them to get it out in 2007, so publication was scheduled for spring/summer 2008. ECW decided to wait and publish at the same time.

But two reviews were already done and couldn't be delayed. And both of them, Margaret Cannon in the Globe and Mail and Quill and Quire, were really good but won't get reprinted when the book comes out, so I'm going to put them here.


 

From the Globe and Mail:

Thanks to this terrific second novel by the author of Dirty Sweet, I know all I need to about urban grow- ops. And that's only the beginning of this smart, slick story.

McFetridge's brother is a police officer and it shows. His Toronto cops are the requisite diverse assembly of race and gender, with a buffoon racist goon added.

But the group, led by Detective Gord Bergeron and his new partner, Detective Armstrong, is more sophisticated than is usual and McFetridge loves the sound of these guys - and women - talking.

An unidentified "Arab-looking" guy fell, jumped or was pushed off the roof of a high-rise. He had at least a passing acquaintance with Sharon MacDonald, currently under house arrest with a tracking device on her ankle after she assaulted a customer in a local massage parlour.

She has a week to go, but the death has disrupted her real business, the profitable harvesting of pot from the grow rooms she runs in the building. That could mean a takeover by one of several competing groups. Sharon needs an alternative supply, and the cops out of her hair. The trouble is, she is a person of interest in a very nasty crime.

McFetridge doesn't rush this story, although the opening pages - as the body bounces down on a whore and a john in a Beamer - are fast, furious and hilarious. From there, he moves the story from cops, to high-class escorts and low-down dives.

Sharon MacDonald is a marvel as she moves from plan to plan to keep her little world together, all the while tethered to the tracker and with a floor full of pot growing leafier by the hour.

There's a lot of fun in this story, but a lot of unpleasant reality, too. McFetridge has a great ear for dialogue and a great eye for Toronto - even for those people and places that you might, as a rule, prefer to miss.


 

And, from Quill and Quire (a starred review, no less):

Next time I need to score handguns, hookers or heroin in Toronto, I'm going to look up John McFetridge, a crime writer who clearly knows his way around the city. One of the key elements in McFetridge's second novel, which bears the intentionally ironic title Everybody Knows This Is Nowhere (after the Neil Young song), is the sheer immensity of what the author points out is North America's fourth-largest metropolitan centre. In one of the book's spot-on and street-wise descriptions of Toronto's disparate locales – in this case the Jane/Finch shopping centre – McFetridge comments that the city, "built its ghetto way out in the suburbs, never thinking it was a growth industry." This Nowhere really is known to everybody who lives in a big enough city.

Growth is the literal root of the evil driving the book, which crashes open with a man's swan dive from the balcony of an apartment building that houses more marijuana plants than residents. A pair of detectives is tasked with not only figuring out if the death is a homicide or suicide, but with the less-than-simple act of giving the body a name. By the time they have that name, fully halfway through the book, the entire homicide division in entangled in the case, and the city has been crossed repeatedly. Crime, like rust, never sleeps.

Not so much larger than life as just alive, the Greater Toronto Area itself is the most conflicted protagonist in a novel brimming with them. "As if happy people in rent-controlled public housing will live side by side with happy people in expensive condos," spits a seasoned patrol officer surveying a housing project being forcibly converted into a mixed-income neighbourhood.

McFetridge's style can be compared to Elmore Leonard's, as both writers seamlessly mix the police procedural with perp procedural to underscore the parallel lives of members of the opposing teams. But where leonard tends to favour Hollywood-homicide banter, McFetridge keep the quips to a minimum, prefering punch to panache. As a result, the only time his prose gets purple is when fists are flying.

Quill and Quire – March 2007


 

Well, we'll see what happens when the book is published, sometime around July, 2008.

Saturday, September 22, 2007

Flash Fiction

Lately I've become a big fan of flash fiction. There are a few good sites for it.

I've posted to Muzzle Flash, Powder Burn Flash, and soon on Shred of Evidence.